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Indian Clothes
Indian clothes are a great looking, flowing type of clothing that is not only beautiful but is practical as well. For anyone looking for this type of clothing it can be quite difficult to find authentic type pieces that are both comfortable to wear and the right size. In many cases, individuals will settle for pieces that are anything but true Indian clothes and this is quite unfortunate. If you are looking for a few great pieces, then consider your choices right here on the web.
When looking to purchase Indian clothing, think of these aspects before you go any farther in your search.
Indian clothing that is truly authentic is quite costly. These products are usually collector's items. But, that does not mean that you can not have clothing that is truly authentic looking because you can. Look for clothing that looks true to what it is. To do this, though, you will need to take your time learning about what true Indian clothing is supposed to look like. Then, you can see the differences and find truly good looking pieces.
When it comes to clothing that is costly, you will want to find options that are more affordable. To do this, take the time that you need to purchase from the web. You are likely to find just what you need and save money on it as well. In many ways, you can find the best prices through discounts and sales. You can also tap into the world of wholesale products to save even more on the Indian clothes that you are looking for.
When it comes to making purchases of Indian clothes, always look for pieces that you will be proud to own. No matter what you plan to do with it, from display it or to wear it, if you really like the piece then the money that you spend on it is well invested money. If it is not something that you like, then your money may not have been spent wisely.
Indian clothes, whether it is American Indian or from India, is beautiful. It is full of color and life and is truly an investment that is worth having. When considering this type of clothing, you will do best to find products that fit your budget but have an authentic quality to them.
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John White, the webmaster of paperpuppet, is a part of the Sharing Information Group that provides useful information to the public through the syndication of free articles.
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Dr. Mahadevia Hair Clinic India Announced Cosmetic Laser Hair Transplant in India
Are you losing your original hair? Do people call you bald? Do not panic, here is a solution to your hair loss problem.
Dr. Mahadevia's Cosmetic Laser & Hair Transplant Clinic; in the city of Ahmedabad at India has been offering Latest Follicular Hair Transplant treatment. He has got the latest equipments like Long and Short pulse Nd - YAG Laser and Intense Pulsed Light with the help of this latest technology, Dr. Mahadevia can also treat vast range of cosmetic surgery like permanent Hair reduction of unwanted hairs from any part of body, Facial rejuvenation by Photo facial, redness, dark and brown spot rectification, pimple or acne laser treatment, port wine stains, freckles, lentigines, melasma, pigmentation and fine wrinkle reduction etc.
Moreover, he is also offering his quality services for cosmetic surgery operations like liposuction, breast, ear or nose shaping and skin surgeries; all at affordable prices.
A qualified plastic surgeon with a specialized fellowship in Hair Transplantation from Kyungpook University, S. Korea, Dr. Bishan Mahadevia, has 13 years of experience in the practice of Plastic Surgery. His expertise is in Hair Restoration by "Follicular Unit Hair Transplantation". He is serving many of the hospitals in Ahmedabad, Gujarat, India. He is famous for operations in Hair Restoration surgery, Follicular Hair Transplantation, Baldness Treatment by strip method, FUE (Follicular Unit Extraction) and also the latest BHT (Body Hair Transplantation). He is also a trained expert in Artificial Implant (Biofibre) for the Hair Loss.
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China And India - Two Of A Whole
The Chinese name for China is Zhongguo, meaning Middle Country. In China, people often ask me why Zhongguo is called China by the laowai (foreigners). I explain to them how every culture or language has different names for other countries. For instance, the Chinese name for India is 'Yindu' - close enough but not the same; USA is called Meiguo, a little dissimilar and so on. A knowing smile then lights up their faces.
There are many similarities betwen India and China. When my short-stories were first published in China in a magazine and later in a book, my readers and editor, in particular, marvelled at how a 'foreigner' could understand China and the Chinese so well. I believe that happened because I, in the true Hindu spirit, was willing to accept and not judge. That apart, I think, there are many similarities between the two ancient neighbours.
China has a history as old as India's - or thereabouts, anyway. For thousands of years we have shared a long common boundary and perfected the art of peaceful co-existence, except for that one incident in 1962. That apart, there has never been any violence between the people of the two countries. Yes, there were invasions from the north or northwest by Mongols. But, Mongols were different from the predominantly Han Chinese and came from further north of China. The Chinese never invaded India and Indians never invaded China. Yet, for most of the twentieth century we had the Asian equivalent of the US-USSR Cold War. Thank you, politics!
At a philosophical level, Hinduism and Taoism are quite similar. Like Hinduism, Taoism believes in the essential oneness of all creation and focuses on meditation as the way to achieve that realization. Confucianism, a later religion, however, is more orientated towards the material reality and teaches one how to best conduct oneself in society. Buddhism, however, was taken from India by the Chinese who came and studied the religion and then carried with them important scriptures, books and literature on the religion. India or its rulers did not need to send missionaries and crusaders into China to spread Buddhism.
The Chinese were probably the most inventive amongst all the ancient cultures and a huge number of inventions like paper, printing, compass, gunpowder, the wheelbarrow, clock and so on are believed to have been Chinese in origin.
Interestingly, there was one dissimilarity that struck me time and again. I found the Chinese very practical and earthy. Indians, on the other hand, tend to be more spiritual and cerebral, if you like, grappling with abstract notions and ideas, e.g., calculating the distance from the earth to the sun and so on. This, of course, is a very general observation and does not imply that every Indian or Chinese fits into the mould.
Perhaps, China is like the left hemisphere of the brain and India, the right! Together, they are complete and effective. Today, China is becoming the factory of the world and India, its so-called 'back-office'. I believe, it's a matter of time before India becomes the ideas factory or the laboratory of the world.
China and India will then become the centre of the world and, in a manner of speaking, the middle countries!The world will then, again, need Asia and look to it, as it did some centuries ago!
About the Author: He is a published author who is now living and working in China. writingup/blog/oneinabillion
o3.indiatimes/kjack/archive/2005/07/06/165161.aspx
Indians Spend 50% of Earnings on Food Purchases
In a retail store of organic foods Suman, an Indian housewife takes about half an hour to ask and search the shelves containing different items of organic food. This is so as the organic section is unmarked and the foodstuffs on display are hardly beyond cereals and pulses. Moreover the section has only two brands of the products, both not certified.
The above mentioned example makes it clear that there is insufficient retail presence in Indian domestic market for organic produce, local or unbranded produce, unmatched price labels, an incomplete variation of item and government policies inclined towards export.
The Indian government?s primary attention on organic foods has always been weighted toward the global market, leaving the greater mass of home consumers in want. Currently organic agricultural items being produced in India are exported by about 66%. The findings of the Ministry of agriculture in India points that the global market of organic foods is $25 billion and is expected to increase four fold to $100 billion by 2020.
In a market research report on food processing industry named ?Food Processing Market in India (2005)? presented by RNCOS, the analysts show that an average Indian uses nearly half of his income on food items. This indicates the great importance of the food-processing sector in the country.
According to the report the value of food processing industry accounts to be $1.75 billion, which is expected to reach $3.5 billion. The report also says that the food habits have been changing towards more value-added products.
The market research report includes in its different chapters coverage of the different business divisions within the industry accompanied by statistics, trends, and legal issues and regulations that govern it.
The report ?Food Processing Market in India (2005)?views that both processed food exports and value-added agricultural produce will grow faster in the future enabling food-processing industry in India to earn large amounts of profits over the ensuing five years.
Finally the report covers the profile of key companies in the food processing sector that includes brief profile, recent financial figures, key management profiles, and companies? strategic moves/ press coverage for the overall market estimation and its trends.
To purchase your copy: rncos/Report/FB15.htm
For more information please visit rncos
Indian Art And Architecture And Its Relation To Indian Music
Every culture of the world develops from the beliefs, practices and customs, traditions and values of its people. Through their lifestyle they develop systems of moral codes and norms, which they enrich with their activities and customs, of, which the arts, music, architecture, literature etc. have been a very majorly integral component. To understand a kind of people the most important thing to study is their literature, and art. In case of India, the cultures that have developed are not one but many. The subcontinent has been a rich base for the cultivation of an even richer set of cultures, which have been influenced by different settlers of over thousands of years. The multitude of languages spoken and the mix of religions present have further enriched the land and its people. This paper in particular focuses on the visual arts and architecture in relation to their influence on Indian music.
Indian art is highly symbolic. The much-developed ritual-religious symbolism presupposes the existence of a spiritual reality that, being in constant touch with phenomenal reality, may make its presence and influence felt and can also be approached through the symbols that belong to both spheres. The art and architecture produced on the Indian subcontinent dates back to the 3rd millennium BC. Therefore from that alone it can be determined as to how culturally influenced it must have been. To Western eyes, Indian art can appear strikingly ornate, exaggeratedly sensuous, and voluptuous. A strong sense of design is also characteristic of Indian art and can be observed in its modern as well as in its traditional forms.
Indian art is religious inasmuch as it is largely dedicated to the service of one of several great religions. It may be didactic or edificatory as is the relief sculpture of the two centuries before and after Christ; or, by representing the divinity in symbolic form (whether architectural or figural), its purpose may be to induce contemplation and thereby put the worshipper in communication with the divine. Not all Indian art, however, is purely religious, and some of it is only nominally so. There were periods when humanistic currents flowed strongly under the guise of edificatory or contemplative imagery, the art inspired by and delighting in the life of this world.
Although Indian art is religious, there is no such thing as a sectarian Hindu or Buddhist art, for style is a function of time and place and not of religion. Thus it is not strictly correct to speak of Hindu or Buddhist art, but, rather, of Indian art that happens to render Hindu or Buddhist themes. For example, an image of Vishnu and an image of Buddha of the same period are stylistically the same, religion having little to do with the mode of artistic expression. Nor should this be surprising in view of the fact that the artists belonged to nondenominational guilds, ready to lend their services to any patron, whether Hindu, Buddhist, or Jaina.
The religious nature of Indian art accounts to some extent for its essentially symbolic and abstract nature. It scrupulously avoids illusionistic effects, evoked by imitation of the physical and ephemeral world of the senses; instead, objects are made in imitation of ideal, divine prototypes, whose source is the inner world of the mind. This attitude may account for the relative absence of portraiture and for the fact that, even when it is attempted, the emphasis is on the ideal person behind the human lineaments rather than on the physical likeness.
To be properly understood, the art of India must be placed in the ideological, aesthetic, and religious framework of Indian civilization. This framework was formed as early as the 1st century BC and has shown a remarkable continuity through the ages. The Hindu-Buddhist-Jain view of the world is largely concerned with the resolution of the central paradox of all existence, which is that change and perfection, time and eternity, immanence and transcendence, operate dichotomously and integrally as parts of a single process. In such a situation creation cannot be separated from the creator, and time can be comprehended only as eternity. This conceptual view, when expressed in art, divides the universe of aesthetic experience into three distinct, although interrelated, elements?the senses, the emotions, and the spirit. These elements dictate the norms for architecture as an instrument of enclosing and transforming space and for sculpture in its volume, plasticity, modeling, composition, and aesthetic values. Instead of depicting the dichotomy between the flesh and the spirit, Indian art, through a deliberate sensuousness and voluptuousness, uses one with the other through a complex symbolism that, for example, attempts to transform the fleshiness of a feminine form into a perennial mystery of sex and creativity, wherein the momentary spouse stands revealed as the eternal mother.
The Indian artist deftly uses certain primeval motifs, such as the feminine figure, the tree, water, the lion, and the elephant. In a given composition, although the result is sometimes conceptually unsettling, the qualities of sensuous vitality, earthiness, muscular energy, and rhythmic movement remain unmistakable.
The form of the Hindu temple; the contours of the bodies of the Hindu gods and goddesses; and the light, shade, composition, and volume in Indian painting are all used to glorify the mystery that resolves the conflict between life and death, time and eternity.
The arts of India expressed in architecture, sculpture, painting, jewelers, pottery, metalwork, and textiles, were spread throughout the Far East with the diffusion of Buddhism and Hinduism and exercised a strong influence on the arts of China, Japan, Myanmar (formerly Burma), Thailand, Cambodia, and Java. These two religions with their various offshoots were dominant in India until Islam became powerful from the 13th to the 18th century. With Islam, which forbids the representation of the human figure in religious contexts, geometrical patterns became the most common form of decoration in art and architecture created under India?s Muslim rulers, especially the Mughals.
The earliest surviving Indian architecture consists of brick buildings. While early wooden structures have generally not survived, later stone buildings, built in a similar style, are known. The oldest traces of architecture in India are the vestiges of buildings of burnt brick found at Mohenjo-Daro and Harappa (now in Pakistan), dating from about 2500-1750 BC. The subsequent Vedic period, which precedes the beginning of historical styles, is represented by burial mounds at Lauriya Nandangarh, in Bih?r State, and rock-cut tombs in Malabar, Kerala State.
The establishment of historical styles began about 250 BC in the time of the Indian king Ashoka, who gave imperial patronage to Buddhism. Accordingly, the monuments of this time were built for Buddhist purposes. A characteristic Buddhist construction was the tope, or stupa, a hemispherical or bell-shaped masonry monument, typically surrounded by a railing, and with four entrances marked by gateways, and designed as a shrine or reliquary. Buddhism waned after the 5th century as Hinduism and Jainism became dominant. The Jain and Hindu styles overlapped and produced the elaborate allover patterns carved in bands that became the distinguishing feature of Indian architecture. The Jains often built on a gigantic scale, a marked feature of their architecture being pointed domes constructed of level courses of corbelled stones.
The Hindu style is closely related to the Jain style. It is divided into three general categories: northern, from AD 600 to the present; central, from 1000 to 1300; and southern, or Dravidian, from 1350 to 1750. In all three periods the style is marked by great ornateness and the use of pyramidal roofs. Spire-like domes terminate in delicate finials. Other features include the elaborate, grand-scale gopuras, or gates, and the choultries, or ceremonial halls. The next style that remained dominant was that of the Islamic era. Islamic architecture in India dates from the 13th century to the present. Brought to India by the first Muslim conquerors, Islamic architecture soon lost its original purity and borrowed such elements from Indian architecture as courtyards surrounded by colonnades, balconies supported by brackets, and above all, decoration. Islam, on the other hand, introduced to India the dome, the true arch, geometric motifs, mosaics, and minarets. Despite fundamental conceptual differences, Indian and Islamic architecture achieved a harmonious fusion, especially in certain regional styles.
Indo-Islamic style is usually divided into three phases: the Pashtun, the Provincial, and the Mughal. Examples of the earlier Pashtun style in stone are at Ahmadabad in Gujarat State, and in brick at Gaur-Pandua in West Bengal State. These structures are closely allied to Hindu models, but are simpler and lack sculptures of human figures. The dome, the arch, and the minaret are constant features of the style. The Provincial style reflected the continued rebellion of the provinces against the imperial style of Delhi. The best example of this phase is in Gujarat, where for almost two centuries until 1572, when Emperor Akbar finally conquered the region, the dynasties that succeeded one another erected many monuments in varying styles. The most notable structures in this phase are found in the capital, Ahmadabad. The Mughal phase of the Indo-Islamic style, from the 16th to the 18th century, developed to a high degree the use of such luxurious materials as marble. The culminating example of the style is the Taj Mahal in Agra. This domed mausoleum of white marble inlaid with gemstones was built (1632-1648) by the Mughal emperor Shah Jahan as a tomb for his beloved wife. It stands on a platform set off by four slender minarets and is reflected in a shallow pool.
Building in India since the 18th century has either carried on the indigenous historical forms or has been modelled after European models introduced by the British. Numerous examples of Western styles of the 18th, 19th, and 20th centuries may be seen in public buildings, factories, hotels, and houses. The most outstanding example of modern architecture in India is the city of Chand?garh, the joint capital of Haryana and Punjab; the city was designed by the Swiss-born French architect Le Corbusier in collaboration with Indian architects. The broad layout of the city was completed in the early 1960s. Notable architectural features include the vaulted structure, topped by a huge, concrete dome, and the use of concrete grille and bright pastel colours in the Palace of Justice; the arrangement of concrete cubes topped by a concrete dome that is the Governor?s Palace; and the use of projections, recesses, stair towers, and other contrasting elements to break the monotony of the long fa?ades of the secretariat building, which are 244 m (800 ft) long. Modern Indian architecture has incorporated Western styles, adapting them to local traditions and needs?as in the design of the railway station at Alwar, Rajasthan State.
The next most important aspect of Indian culture is Indian Music. It is an element that forms an integral part of their religion in addition to the culture. Dance in fact is an expression of that music and that too has religious importance in Hinduism. However one other important issue to consider is that the art and the architecture of the land were greatly influenced by religious beliefs and customs, as has been seen especially by the Buddhist and Islamic religions. The same is true for the music. That too was greatly influenced by religion. In fact the first forms of music were religious hymns and ballads called bhajans. They were songs sets to musical instruments such as the sitar and table and they were stories about religion and mythology.
Just as there is no such language as Indian, but instead many hundreds of languages, with over a dozen considered major, so there is no single entity as Indian music. The range of musical styles and traditions in the subcontinent of South Asia, which comprises modern India, Pakistan, Bangladesh, Nepal, and Sri Lanka, is in proportion to the vastness of the geographical area and the density of population. This is most obviously the case with folk and tribal music. Given that India is predominantly rural, it could be claimed that such categories of music are those of the majority. On the other hand, the rapid development of communications and wider access to the mass media have helped to create what is almost, despite the language differences, a pan-Indian popular music, recorded and disseminated electronically. This emanates from the Indian film industry, the largest in the world, of which the products tend to adhere to formulaic devices, including many songs and dances.
What is usually understood by the term Indian...
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Indian Art, Architecture and Music.
What You Gain By Outsourcing Your Writing Projects To India?
To the layman, outsourcing would seem like a waste of time and money, as well as an unnecessary complication. But to a businessman, outsourcing is often a godsend. This is because as businessmen are aware, often there is a need to write a business manual or press release. And not every businessman is an expert when it comes to writing. So, instead of letting your business suffer because you can?t write competent business manuals or press releases you could outsource your technical writing to a professional company.
And, outsourcing technical content writing services to India will help you save a lot of money. And, it can also give your business that push it needs towards winning the competitive market. However, the reason why most business in the United States and Europe prefer to outsource technical writing services to India is the cost factor. The technical content writing services in India are way cheaper in terms of human resource and IT services, than in the United States or Europe.
And the money saved through outsourcing technical content writing services to India can be spend on other things like, marketing or advertising, giving you the edge over your competitor. Also, when you choose the services of a technical writing service you won?t need to buy extra office space and equipment that would be necessary if you intend to have your own technical writing section. Instead all you need to do is to hire the technical writing service, as and when required.
However many businesses are nervous or at least uneasy when it comes to outsourcing technical content writing services to India. They?re usually nervous about the quality of work that will be delivered to them and also there is the anxiety about whether they?ve chosen the right technical content writing service. And, it?s justified since you?re spending good money. The key to a satisfactory result is in choosing a technical writing service provider with integrity, honesty, efficiency and great communication skills. Although this seems like a difficult challenge, it?s pretty easy as long as you ask the write questions.
Before hiring a technical content writing service, ask yourself if they are reliable. Also, find out if the technical writing service provides quality services. Your main concern while hiring a technical content writing service should be quality. All other factors like, accuracy, productivity and turnaround time are secondary, though they shouldn?t be totally ignored. Also find out whether they will meet delivery deadlines. You also need to be concerned about the safety of your data. If you feel that the technical content writing service is not up to your expectations, walk out of the deal before you sign anything. And in this you should trust your instincts. Also, before signing a contract, ensure that the technical content writing service complies with the statutory laws and regulations and that his financial dealings are all fair and transparent. Also, there should be at least a certain degree of match between the organizations in terms of ethics and culture. And the technical writing service?s initial communication with you is a good indication of whether your ethics and culture is a match.
Export Quality Nautical Telescope and Nautical Compass in India at Sankalp Crafts
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Right from the very beginning we have won unparalleled recognition due to our unmatched quality. Our high quality is an outcome of several quality measures we follow at our manufacturing unit. First the raw materials purchased from outside are properly tested by our quality managers. Only when given the green signal by them that the same is considered ready for manufacturing. The manufacturing takes place under the supervision of senior experts. Subsequently, the finished products are checked again to detect the manufacturing faults & to exclude if necessary.
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To go through the demanding method, we follow for quality, you need the support of a sound infrastructure. Our infrastructure comprises of all the necessary wherewithal to pay attention to every section of our business & quality requirement. We have a huge array of laborers working with the help of the best & latest machinery available in market. The machines are kept under the aegis of technical experts whose responsibility ranges from rectifying minor snags to notifying the authority concerned when a gadget is required to be replaced.
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About the Author
Business Development Manager
Indian Legal System
Justice delayed is justice denied
If one wants to judge the growth of any society, one must study its laws. Laws represent the needs, aspirations, norms, ethics, priority and maturity of the people. Ideally they should reflect the collective, intellectual and progressive will of the people. Since no society is inert, and social processes are constantly changing, a good legal system is one which ensures that laws acclimatize to the changing situations and ensure social good. For more than one decade, both developed and developing countries have engaged in ambitious economic reforms programs. Justice, law and human rights are fundamental prerequisites for economic and social development. Economic Growth cannot be separated from the corresponding improvement in Legal field. . In this context legal or judicial development could be seen as contributing to the overall growth of the country. Therefore the attempt to reinvent Indian legal system is a major contributor towards national development.
The main sources of law in India are the Constitution, statutes (legislation), customary law and case law. The statutes are enacted by Parliament, State legislatures and Union Territory legislatures. Because India is a land of diversity, local traditions and conventions that are not against statute or morality or otherwise undesirable are, to a limited extent, also recognized and taken into account by the courts while they administer justice in certain spheres. Also, people of different religions and traditions are governed by different sets of personal law with respect to matters relating to family affairs. A unique feature of the India Constitution is the judicial system. A single integrated system of courts administers both Union and State laws. The Supreme Court of India, seated in New Delhi, is the highest body in the entire judicial system. Each state or a group of states has a High Court under which there is a hierarchy of subordinate courts. The Chief Justice and the other judges of the Supreme Court are appointed by the President. The Supreme Court has original, appellate and advisory jurisdiction. Its original jurisdiction extends to the enforcement of fundamental rights given by the Constitution and to any dispute among States and the Government of India. The decisions of the Supreme Court are binding on all courts within the territory of India. While the judicial process is considered fair, there is a large backlog of cases which results in considerable delay before a case is decided. This is due to lack of full strength of Judges in the courts at all levels. This feature of our Legal System can be improved by appointing more Judges.
For any legal system to be effective, it requires intelligent feedback and criticism. In India, earlier people used to hesitate in voicing their views but now they are aware of their legal rights and therefore do not hesitate in expressing their views regarding the legal system. This is a healthy practice as it does not isolate the legal system from the people. Earlier for any person law was confined to court rooms and lawyers' offices. But now the situation has changed and people have realized that law affects our everyday lives and more importantly, we can and should turn to the legal system to enforce our rights. India is one of the biggest democracies and this is reflected from our Legal system. In our legal system even a common man can approach the highest court of the country i.e. the Supreme Court for redressal of his grievances whereas in USA, the Supreme Court is accessible to only a few people.
Even now our legal system is such that it is being used mainly by the rich and the powerful to obtain unlawful gains for themselves, but now this is also undergoing a sea change. The masses are now very much aware of their legal rights and hence are better equipped to fight for their legal rights. Now more and more people are using the legal system to fight injustice and making it an instrument of social justice and wellbeing for the masses. For example the recent Manu Sharma and Jessica Lal's case created a furore in the country and has forced the legislature to make necessary changes in the legal system and hence improve it further.
Earlier the Legal system was not as well equipped to handle issues arising out of possible disputes between the MNCs and those of domestic industries and therefore stress was laid on the need for a new legal system in India. To encourage trade and industry the Indian Legal system has to improve and it has to be thrown open to the international market. Though attempts have been made towards this direction it will still take some time for the Indian Legal system to reach a high level in the international arena. Reinventing the Indian legal system can provide an enabling environment for achieving economic growth
as well as global recognition. A well-functioning legal and judicial system will be effective in encouraging investment as it will provide security to an investor. It will also lead to the efficient use of resources and technology. But this can be achieved not only by improving the Legal system but also the enforcement agencies. No matter how good is a country's legislation, it will not stand up by itself.
It is reiterated that the economic growth of any country will greatly revolve around a tough, strong and effective judicial system. In order to achieve this, ways and methods have to be found to reform the legal and judicial systems which will help in development and evolution of the Indian economy. One way is to establish Specialized Courts for adjudicating commercial or economic disputes like they have in the UK and USA. This helps in stream-lining procedures which further reduces delays in the Legal system. Efforts should be made to solve disputes arising out of investment agreements, specially regarding foreign investors, through conciliation and arbitration. India has also upgraded its legal system to handle patent related litigation and to allow patent in all areas of technology.
There are still too many laws which have outlived their utility and need to be changed and reformed. There are still too many loopholes in the legal system which need to be plugged. The legal system needs to be transparent and autonomous so as to attract more investors. These changes are taking place in the Indian legal system but we still have a long way to go.
The hope of the Indian masses does not lie in the legal system alone - that is obvious - but in their conscious awakening and battle for social and economic justice. Awareness of their legal rights however, can be an important encouraging force in this. Of late, many agencies and individuals are rising in different parts of the country to take up the cause of social change... and change for a more just India, where justice will not merely be talked about in scholarly discussions on the niceties of law, or written about in books which the masses can't read but actually lived and experienced by the majority of the people.
About the Author
She is a free-lance writer with special interest in legal field.
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India: Cooperage Given All Clear For Mumbai Matches - Goal.com
Sat, 13 Sep 2008 23:21:40 GMT
India: Cooperage Given All Clear For Mumbai Matches Goal.com, Switzerland - WIFA and officials from Mumbai FC and Air India met Mr. Vijay Patil, chairman of the DYPatil Sports Complex to hold discussions as to what would involve o ... |
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